AUTHOR’S BIO

Stuart M. Frank is the founder and director of the Scrimshaw Forensics® Laboratory, and Editor of the triannual journal Scrimshaw Observer.  A native of New York City, he holds a B.A. from Wesleyan University, two postgraduate diplomas from the Munson Institute of Maritime Studies (University of Connecticut), master’s degrees from Yale and Brown Universities, and a Ph.D. from Brown.  He is an elected Fellow of the Massa­chusetts Historical Society, a Research Fellow of the Nantucket Historical Association, was previously Research Associate at Mystic Seaport, Executive Director of the Kendall Whaling Museum, and Senior Curator of the New Bedford Whaling Museum.  He has been an advisor and consultant to museums in the USA, Canada, Europe, Australia, and Japan, and has taught undergraduates and postgraduate students at Brown, MIT, and both the Williams College Program in Maritime Studies and the Munson Institute of Maritime Studies at Mystic Seaport.  In 1980 he founded the annual Sea Music Festival and Symposium at Mystic Seaport.  His wife is maritime and Northwest Coast historian and novelist Dr. Mary Malloy, with whom he has performed concerts of sea music and cowboy songs on four continents since 1989.  They appear together on vinyl, tapes, and CDs produced by Smithsonian / Folkways and Grey Horse Records (Lubbock, Texas), and in 2014 were inducted into the Old Time Country Music Hall of Fame of the National Traditional Country Music Association.

Books by Stuart M. Frank

  • Biographical Dictionary of Scrimshaw Artists (2025)
  • Scrimshaw on Nantucket: The Collection of the Nantucket Historical Association (2019)
  • Dutch and Flemish Old Master Paintings in the New Bedford Whaling Museum (2018)
  • Classic Whaling Prints (2016)
  • Scrimshaw and Provenance (2013)
  • Ingenious Contrivances: Scrimshaw in the New Bedford Whaling Museum (2012)
  • The New Book of Pirate Songs (2012)
  • “Jolly Sailors Bold”: Ballads and Songs of the American Sailor (2011)
  • More Scrimshaw Artists (1998)
  • The Book of Pirate Songs (1998)
  • Dictionary of Scrimshaw Artists (1991)
  • Herman Melville’s Picture Gallery: Sources and Types of the “Pictorial” Chapters of Moby-Dick (1986)
  • Fakeshaw: A Checklist of Plastic “Scrimshaw.”  Kendall Monograph Nº1 (1988 + 1996)
  • (ONLINE: https://www.whalingmuseum.org/wp-content/uploads/2021/04/KWM-Monogaph-Series-No-1_Fakeshaw.pdf)

Scrimshaw Articles by Stuart M. Frank in international publications

  • “The Origins of Engraved Pictorial Scrimshaw.”  The Magazine Antiques, 142:4 (New York, October 1992), 510-521.
  • “Les scrimshaws: Tradition artisanale des chasseurs de baleines.”  Le Chasse-Marée, 67 (Douarnenez, France, 1992), 46-61.
  • “Scrimshaw: An Introduction and Overview, A.D, 800-1960.”  Bjørn L. Basberg, Jan Erik Ringstad, and Einar Wexelsen, eds., Whaling and History: Perspectives on the Evolution of the Industry (Pub­lication Nº 29; Sandefjord, Norway: Kdr. Chr. Christensens Hvalfangstmuseum, 1993), 203-212.
  • “Scrimshaw: Occupational Art of the Whale-Hunters.”  Maritime Life and Traditions, #7 (London, 2000), 42-57.
  • “Scrimshaw: ‘Ingenious contrivances… in the hours of ocean leisure,’” in New England Antiques Journal, XX:8 (Ware, Massachusetts; Feb. 2002), 68f.
  • “Scrimshaw: The Whalemen’s Art.”  Early American Life, 37:3 (June 2006), 8-19.
  • “‘Free Trade and Sailors’ Rights’: Americana Scrimshaw by William Gilpin.”  Important Americana (New York: Sotheby’s, 26 Sept. 2008),  39-41.
  • “American Whaling.” in Hayato Sakurai, The Last Harpooner.  Taiji Whale Museum, Japan, 2010.
  • “‘Brinded Cats’: A Yankee Whaleman-Artist and His Scrimshaw.”  Historic New England, 15:2 (Fall 2014), 30f.
  • “The Real ‘R. Folger,’ Maker of Nantucket Baskets.”  Antiques & The Arts Weekly (Mar. 20, 2015) ,1.
  • “The Real R. Folger and the Early Origins of Nantucket Baskets.”  Historic Nantucket, 66:1 (Spring/Summer 2016), 22-25.
  • “‘Curiously Carved’: Scrimshaw and the [London] South Sea Whale Fishery.”  Christopher Ellmers and Charles Payton, eds., London and the Whaling Trade.  Proceedings of the symposium There She Blows: Aspects of the London Whaling Trade, March 2013.  (London: Museum of London Docklands, 2018). 
  • “Scrimshaw by Lemsford the Poet.”  Leviathan a Journal of Melville Studies, 23:2, 2021, 138-144.

Scrimshaw Articles and Notes by Stuart M. Frank in Scrimshaw Observer

SCRIMSHAW OBSERVER: antiquescrimshawcollectors.org

  • “William W. Britt, Scrimshaw Artist and Engraver on Wood.”  1:1 (Spring 2017), 1, 7.
  • “W.L. Roderick, Ship’s Surgeon and Master Scrimshaw Artist.”  1:2 (Fall 2017), 4f.
  • “The Fijian Tabua, William Sizer, and the Methodists.”  2:3 (Fall 2018), 6-8.
  • “Foster at Last!”  2:2 (Winter 2018), 5.
  • “The Ann Alexander Scrimshaw… Debunks the Myth.”  2:2 (Spring 2018), 1, 6f.
  • “Scrimshaw Snuff Boxes…”  3:2 (Spring 2019), 8-10.
  • “Dr. Theodore Lewis and the Walrus Tusk He Got from a Hippopotamus.”  4:1 (Winter 2020), 4-5.
  • “Scrimshaw of the San Carlos Borroméo Mission.”  4:2&3 (Fall 2020), 1, 3-7.
  • “Fijian Tabuas ; Two Famous Scrimshaw Artists; and Missionary Tabuas.”  5:1 (Winter 2021), 1f, 13f.
  • “The ‘Haunted Barque’ Poet and Melville’s White-Jacket.”  5:3 (Fall 2021), 4-7.
  • “Hero with An Attitude” (Eagle Portraitist / Rolla)  5:3 (Fall 2021), 1-3
  • “Three Guys Out of Hudson” (ship George Clinton).  6:1 (Winter 2022), 9f, 12f.
  • “Inlaid Box by Charlie Whoosits” (Charles Barrus).  6:1 (Winter 2022), 14f.
  • “Two Very Unusual Pieces from Nantucket.”  6:1 (Winter 2022), 15.
  • “Stippling Stipulated.”  6:2 (Spring 2022), 2-6.
  • “Was the Brit Really a Yank?” (Jonathan Penn and Truelove of Hull).  6:2 (Spring 2022), 16f.
  • “Two Boxes by Henri Zinke.”  6:2 (Spring 2022), 27.
  • “Cabinetmaker Extraordinaire…Nathaniel Dominy the 5th.”  6:3 (Fall 2022), 1-5.
  • ·“Badguy Artist (Caravaggio Redux)” (James S. Farney).  6:3 (Fall 2022), 7-9.
  • “A Fabergé Surprise.”  6:3 (Fall 2022), 10.
  • “How ’Bout Them Wooden Spool Boxes?”  7:1 (Winter 2023), 4-7.
  • “‘Our Own Special Light’: Female Scrimshaw Luminaries.”  7:1 (Winter 2023), 8-11.
  • “Follow-Up: Badguy Artist, Redux” (James S. Farney busk).  7:1 (Winter 2023), 18.
  • “Ugly Faces, Ugly Jugs” from the Editor’s File.  7:1 (Winter 2023), 19.
  • “Coda: The Chesapeake and the Shannon.”  7:2 (Spring 2023), 7f
  • “Gilbert Islands Warriors with Kiribati Weapons.” 7:2 (Spring 2023), 9-12
  • “Arts and Crafts from the Berry Shop” (Albert and Erwina Berry).  7:2 (Spring 2023), pp. 13-15
  • “Big News from Down Under” (Gary Tonkin Gallery).  7:2 (Spring 2023), p. 16
  • “Lillie Hathaway’s Box” (A.P. More).  7:3 (Fall 2023), 2, 5-7
  • “Something from Ukraine and a bonus from Sweden” (N.Z. Zhirovlev and L.G. Sellstedt).  7:3 (Fall 2023), 8-9
  • “Distinctive Departures.” (Captain George F. Bauldrey).  7:3 (Fall 2023), 10.
  • “Outside Art” from the Editor’s File (Gideon Bartlett and Gustav Fabergé), 7:3 (Fall 2023), 11.
  • “Outside Art from Down Under” (John
  • “Rocky” Whelan; Charles Méryon).  7:3 (Fall 2023), 12.
  • “Ho´oilina Niho Koholā mai Lahaina mai. Whale Tooth Legacy from Lahaina” (Captain Francis D. Drew and Kamahiai).  8:1 (Winter 2024), 12f.
  • “Addenda to What Whalemen Wore” (an article by Judith Navas Lund)  8:1 (Winter 2024), 10f.
  • “The Nuguruk Guys” (Weyahok, Walluk, Ye Olde Curiosity Shop).  8:1 (Winter 2024), 14-17
  • “The Cutlery Guys” from the Editor’s File (John Russell).  8:1 (Winter 2024), 18
  • “Illusions of Grandeur” (Hugh Nairn, R.A. Button, B.F. Reynolds).  8:2 (Spring 2024), 1, 7-11
  • “Tlingit Maestro” (Rudolph Walton).  8:2 (Spring 2024), 12-15
  • “A Smithsonian Treasure” from the Editor’s File (Napoleon’s Tomb).  8:2 (Spring 2024), 16f
  • “Captain Joseph Warren Holmes.”  8:3 (Fall 2024), 8.
  • “Green Hand Exceeds Expectations” (Walter C. Van Horn).  8:3 (Fall 2024), 9-11.
  • “Very Like Scrimshaw” from the Editor’s File (Rev. Samson Occom, Mohegan).  8:3 (Fall 2024), 11.
  • “The Hand of Hand” (Henry W. Hand).  8:3 (Fall 2024), 12-15.
  • “The Columbia Engraver” (with John Rinaldi).  9:1 (Winter 2025), 1-4.
  • “Zachary Taylor Pinprick Template.”  9:1 (Winter 2025), 9
  • “Narwhal Tusks Galore” (Airy Hill, Whitby; Danish throne; J.O. Spicer; Louis Comfort Tiffany).  9:1 (Winter 2025),   pp. 10-13
  • “Sailor, Artist, Refugee” (Alfred Gabali).  9:2 (Summer 2025).
  • “The Circle of Henry Binks, Indigenous Narragansett from Connecticut.”  9:2 (Summer 2025).
  • “Albert Clark’s Needle Case”  9:2 (Summer 2025).
  • “Remarkable Narwhal Sword-Cane.”  9:2 (Summer 2025).

Scrimshaw Articles and Notes by Stuart M. Frank in the KWM Newsletter

Archived at Mystic Seaport Museum and the New Bedford Whaling Museum

  • “Captain George Comer’s Scrimshaw.”  8:2 (Summer 1990), 6-9.
  • “Scrimshaw by Boston of Boston: A Detective Story.”  8:2 (Summer 1990).
  • “Scrimshaw Like a Phoenix: A Love Story.”  KWM Newsletter, 8:2 (Summer 1990), 3, 11.
  • “Robert W. Weir.”  KWM Newsletter, 8:3-4 (Autumn / Winter 1990-91).